Steve Marcus’ "Yad"
Pointing Towards Peace
DOI :
https://doi.org/10.55225/hcs.683Mots-clés :
Steve Marcus, Jewish art, Pop Art, ritual objects, The Jewish Quarter Pipe, Peace Yad, Bein HaShmashotRésumé
The article explores how artist Steve Marcus reinterprets Jewish ritual and identity through the visual language of contemporary Pop Art. It considers how Marcus combines humor, tradition, and countercultural imagery to reflect on the contradictions of modern Jewish life. The discussion situates his art within the concept of Bein HaShmashot—the twilight space of transition and creative uncertainty—suggesting that Marcus’s work resists fixed boundaries and underscoring the artist's humorous yet deeply reflective engagement with faith, creativity, and modern Jewish experience.
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Références
Benjamin,Walter. Illuminations. New York: Schocken, 1968. Google Scholar
Pirkei Avos: The Ethics of the Fathers. Edited by Rabbi Moshe Lieber. New York: Mesorah Publications, 1995. Google Scholar
Silver, Tony. Style Wars MVD Entertainment Group, 1983. Google Scholar
Suggs, Jack M. et al., eds. The Oxford Study Bible. New York: Oxford University Press, 1992. Google Scholar
The Complete Artscroll Siddur. Eds. Rabbi Nosson Sherman and Rabbi Gedalia Zlotowitz. New York: Mesorah Publications, 2022. Google Scholar
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(c) Tous droits réservés Ezra Cappell 2025
Ce travail est disponible sous licence Creative Commons Attribution - Pas d’Utilisation Commerciale 4.0 International.
